“The way we experience story will evolve, but as storytelling animals, we will no more give it up than start walking on all fours.”
Jonathan Gottschall, The Storytelling Animal
Forgive me, it’s been a long time since my last confession. Ill health, disappointment and depression have been the main culprits behind that, but then one of those strange little random moments that life throws at us completely changed that, revitalised me and guided me back on course.
I was browsing in a second-hand bookshop and discovered The Seashell on the Mountaintop by Alan Cutler. It is the biography of a C17th Danish scientist whose curiosity and intelligence was to lead him to fame as an anatomist in the Medici court in Florence, and it was here that he made his most significant discoveries, became an anatomist of the earth and determined the Four Principles of Stratigraphy still used by geologists today.
Born Niels Steensen, his name was Latinised at university to Nicholai Stenonis, but the world knows him simply as Steno, the father of geology. Immediately I felt inspired to tell his fascinating story. I decided to attempt a poetry sequence and a friend suggested the haibun form, a melody of prose and haiku championed by Japanese poetry master Basho.
Basho used the haibun for essays, diary entries and travel accounts so the idea of a journey began to form. Steno travelled extensively but he also underwent a spiritual journey from Lutheran scientist to Catholic bishop and I felt the haibun form would enable me to tell that story. However, when I started researching background information to understand the science involved in Steno’s discoveries I realised that this story was much bigger than just Steno and his Four Principles of Stratigraphy; it was the story of the earth itself and the evolution of life upon it.
The first problem was how to tell such a vast story? I decided that it would be a sequence of voices, each telling part of the story, and the whole sequence would be divided into four sections, each section metaphorically related to one of the Principles as determined by Steno. Another problem was the various theories involved in the story of evolution and history of humankind, so I plumped for one and ran with it, weaving together science and history. Like fairy stories or folk tales there may be other versions but we choose the one we’re most comfortable with. I make no claims to be an expert, but I hope the versions that I have chosen are consistent.
Having made these decisions I applied for, and was fortunate enough to be awarded, funding from DG Unlimited to undertake research in Florence and to engage the excellent support of mentor, Jim Bennett, poet and creator of online poetry services The Poetry Kit. (www.poetrykit.org)
(photo by Mabel Amber, Still Incognito – Pixabay)
With his help I recently completed Ancient Anchors, the title taken from Ovid – Metamorphoses Book XV (8AD)
“Seashells lie far away from ocean’s waves and ancient anchors have been found on mountaintops”
and I’m now looking for a publisher. Enter the old disappointment about UK poetry publishing houses who are few and have a backlog of 3 years’ worth of books to publish therefore they’re not accepting any new submissions. However, there is always the option of self-publishing so watch this space…